The Vatican Museums and the Sistine Chapel, wonders second to none in the world
Mind you, we are talking about real treasures here
1. 25 centuries of beauty in the Vatican collections
Founder of the Vatican Collections is considered to be Pope Julius II. In 1506 he exhibited his personal art collection to the public for the first time, which included the Hellenistic statue of Laocoon, found the same year on the Esquiline Hill in Rome and purchased by the pope at Michelangelo's suggestion, to be placed in what is now the Cortile dell'Ottagono.
Over the centuries, the collections of various popes have gradually been organised into the museum tour that is offered today, a visit to which requires at least one full day.
Not to be missed is the new Pinacoteca, created by Pope Pius XI in 1932 in a building commissioned by architect Luca Beltrami to preserve and exhibit over 400 works that until then had been scattered in different Vatican buildings.
The collection includes works by, among others, Giotto, Beato Angelico, Perugino, Raphael, Leonardo da Vinci, Titian and Caravaggio.
Those interested in ancient art will dwell above all on the precious collections of the Gregorian Museums, commissioned by Pope Gregory XVI (1831-46), with masterpieces of Egyptian, Etruscan and Roman art, and on those of Pius Clementine, the result of various acquisitions from archaeological excavations in the Roman and Latium territory and purchases from collectors and antique dealers.
The four Raphael Rooms were commissioned to the 25-year-old artist and his pupils by Pope Julius II between 1508 and 1525: one fresco for all, the famous School of Athens, one of the icons of the Italian Renaissance.
The Collection of Modern and Contemporary Art, which is largely housed in the Borgia Apartments with masterpieces by Pinturicchio, was the result of an initiative by Pope Paul VI: in 1964, the Brescian pontiff arranged a meeting with leading representatives of the art world in order to reconnect the church with contemporary artists.
Nine years later, the collection was inaugurated, which today comprises 8,000 works of painting, sculpture and graphics donated over time by several artists as well as public and private organisations.
Important names include Van Gogh, Bacon, Gauguin, Chagall, Kandinsky, Carrà, De Chirico, Dali and an entire room, created in 2011, with works by Henri Matisse donated by the artist's son.
Of particular interest is the ethnological museum Anima Mundi, which stems from the Vatican Exposition commissioned in 1925 by Pius XI to make known the cultural, artistic and spiritual traditions of all the peoples of the world: from that event a permanent collection was built up, supplemented by other works in the Vatican and gifts received from the various pontiffs, with objects ranging from pre-Columbian civilisations to those of African peoples, from Native Americans to Islam and Asian cultures.
2. The marvellous Sistine Chapel
And here we find the Sistine Chapel. The room where, since the end of the 15th century, the cardinals gathered in conclave to elect the new pope, was an extraordinary artistic workshop where the greatest painters of the time worked: Domenico del Ghirlandaio, Sandro Botticelli, Cosimo Rosselli, Perugino, Pinturicchio, Luca Signorelli and finally Michelangelo.
It is named after Pope Sixtus IV, who decided to renovate what was called the Magna Chapel in the years 1477-80. It was his nephew Julius II who hired Michelangelo to rework the vault with the Stories of Genesis between 1508 and 1512.
Some 20 years later, Pope Clement VII again commissioned Michelangelo to paint the Last Judgement, which the painter, by then in his 60s, executed between 1536 and 1541 on the main wall of the Chapel. The work, with which Michelangelo “shocked the history of Italian art”, created uproar and scandal, not only for the “naked” bodies of Christ and the saints, but also for an innovative pictorial language of Renaissance art, introducing pagan figures, depicting angels without wings and saints without haloes in a free, un-patterned composition.
After Michelangelo's death, in the midst of the Counter-Reformation, Daniele da Volterra was assigned the task of concealing obscenities, painting “braghe” (pants legs) to cover the nudes considered most obscene, which were partly erased during subsequent restorations to restore Michelangelo's work in its originality.