Skip menu

For the latest information on COVID-19 travel restrictions in Italy. Click here.

Famous for its art, monuments and statues, Italy is full of extraordinary treasures. From the Colosseum to the Tower of Pisa, there are many works to admire. Stroll through the cities, visit the museums and be captivated by imposing statues, historic buildings, fountains and many other masterpieces of Italian architecture. 

Monuments & statues 118 Search results
Art & Culture

Jewish Ghetto of Rome

The district of remembrance where you can experience Jewish culture and try traditional Roman Jewish cuisine. Located on Lungotevere de' Cenci, one of the oldest in the world, second only to that of Venice, the Ghetto of Rome was founded in 1555 at the behest of Pope Paul IV. Jews who lived here were required to wear a distinctive sign and could not trade or own real estate. Decommissioned several times, it was finally closed in 1870. In 1904, the Great Synagogue of Rome was inaugurated and even today it is a place of worship but also a reference point for the cultural and social life of the entire community. The Temple is one of the most charming places in the district and inside you can visit the Jewish Museum and the Spanish Temple. In addition to the Synagogue, other monuments of interest are the Church of Sant'Angelo in Pescheria, derived from the ancient fish market, where you can admire the Chapel of St. Andrew or even the Church of San Gregorio in Divina Pietà, in honor of Pope Gregory I who granted freedom of worship to Jews, and the Portico d'Ottavia. In the Ghetto is the Turtle Fountain with four bronze ephebes and dolphins resting on shells and on the edge the four turtles, made by Bernini who completed the work. Strolling through these narrow streets, you will notice that some of the cobblestones are covered with brass plaques, the Memorie d'inciampo, with the names of the deportees who, during the round-up of October 16, 1943, never returned from the extermination camps. This is the ideal place where to enjoy a gastronomy stop where you can taste the typical kosher cuisine but also the traditional Judaic-Roman cuisine such as artichokes "alla giudia", anchovies and endive pie, fish broth and cod fillets.
Art & Culture
basilica di san pietro

Basilica of Saint Peter

Basilica of Saint Peter Universal seat of the Catholic Church in Rome, Pontifical Chapel and destination of every pilgrimage to the holy city, St. Peter's Basilica houses famous works of art celebrating the Christian faith. Preceded by the spectacular colonnade in St. Peter's Square, it has a majestic façade and is surmounted by the large dome designed by Michelangelo. Regarded as one of the absolute masterpieces of architecture, it is the product of the work of dozens of designers who have created it over 160 years. At St. Peter's tomb The construction of St. Peter's Basilica was started in 1506 on the initiative of Pope Julius II, who is also considered the “father” of the Vatican Museums, and was only finally completed in 1667 with all the final arrangements of the square. On the site of today's basilica stood an early Christian one built by the Emperor Constantine in the 4th century, right where St Peter was supposedly buried. The history of its construction is very complex, with a long list of architects and artists who helped make it possible: Bramante, Giuliano da Sangallo, Raphael, Antonio da Sangallo the Younger, Baldassarre Peruzzi, Michelangelo, Vignola, Giacomo Della Porta, Domenico Fontana, Carlo Maderno and, in the last 40 years, Gian Lorenzo Bernini. The colonnade and façade of St Peter's Basilica A piece of advice: enter the square from one of the side entrances to guarantee the surprise effect of Bernini's elliptical colonnade, which suddenly opens and seems to move. Coming from the wide, frontal Via della Conciliazione, built in the 20th century, this effect is lost. There are 284 columns and they are topped with 140 statues over three metres high and six coats of arms of Alexander VII. In the centre of the colonnade is an obelisk from ancient Egypt transported to Rome in 37 AD and two fountains, one by Maderno, the other by Fontana. If you stand on the porphyry discs on either side of the obelisk, which are the foci of the ellipse, the rows of columns line up perfectly and you will only see the first one, the others seem to vanish! In order to walk into the Basilica, you have to climb a flight of steps and cross the portico built into the façade: from the central balcony, known as the Loggia delle Benedizioni, the pope appears for the Angelus and when the election of the new pontiff is announced. The interior of the Basilica: an array of masterpieces The interior of the basilica is stunning in its majesty and the richness of Baroque-style decorations. Don't miss the bronze statue of St. Peter, attributed to Arnolfo di Cambio; the monumental canopy with twisted altar columns, made of bronze taken from the Pantheon, 30 metres high, by Gian Lorenzo Bernini; Michelangelo's Pietà, which the sculptor made when he was 23 years old; the funeral monument of Clement XIII, considered to be one of Antonio Canova's best works; the statues of Urban VII, the tomb of Alexander VII and the gilded bronze Chair of St. Peter in the apse, other Bernini masterpieces. After the Sacristy, a late 18th-century room with eight columns from the Villa Adriana in Tivoli, one has access to the Treasury of St. Peter's, where sacred furnishings, statues and various art objects, mostly gifts given to the popes, are on display. Don't miss a ciborium by Donatello, the monument to Sixtus IV by Pollaiolo, some precious works from the Byzantine era and the sarcophagus of Junius Bassus from the 4th century. The majestic dome of St Peter's The symbol of the city of Rome, the “Cupolone” for the Romans, the Dome of St. Peter's was designed by Michelangelo, but he did not see it completed: it was Domenico Fontana and Giacomo Della Porta who completed the building. On the Dome you can take the lift up to the terrace overlooking the square. A staircase of 330 steps in a corridor between the outer and inner dome, about halfway down which you can look out into the first gallery, 53 metres above the ground, and admire the dome mosaics up close. You can also climb to the top of the lantern and from there all of Rome will truly be at your feet. The Vatican Grottoes The so-called Vatican Grottoes are located under the floor of the nave of the basilica, in the gap between the current floor and the floor of the Constantinian basilica on which the church was built. It houses the Tomb of Peter, at the altar and Michelangelo's dome, and numerous other pontiffs and rulers. The Grottoes are a very atmospheric environment with various altars and niches, filled with the artwork adorning the various papal tombs and other works from the early Christian period from the ancient basilica, such as sacred vessels, statues and column fragments. One of the most valuable works is the tomb of Boniface VIII, partly created by the sculptor Arnolfo di Cambio in 1300. Also noteworthy is the tomb of Pius VI by Antonio Canova (19th century).


Pont-Saint-Martin, miracle of Roman engineering At the entrance to the Aosta Valley, stands one of the most extraordinary single-span Roman bridges, the Pont-Saint-Martin. Built during the empire of Augustus, it was part of the Roman Via delle Gallie, important consular road that allowed year-round transit of the Alps. Also known as the “devil's bridge”, a legend developed around its construction is still present in local folklore today. Cross it on foot The Pont-Saint-Martin is a Roman stone bridge over the Lys, the stream descending from the Gressoney valley. Built in the 1st century BC by the Romans, it also gave its name to the village that developed around the bridge. With a single span, about 36 metres long and 25 metres high, and an extremely thin vault arch, it is considered one of the largest, most daring bridges of antiquity among the miracularia of Roman engineering. Anchored to the live rock on both banks, it was in continuous use until 1836, when another bridge was built that could relieve Pont-Saint-Martin of its primary function to become only a monument, symbol of an area whose history it marked. Today, the bridge can be crossed on foot through Via Roma and admired from the riverside, from which the architecture and the bulk of the bridge can be seen at its best. The legend of St Martin We do not know the original Roman name of the bridge, just the one it was given, probably in the 5th century, linked to the legend of St Martin, celebrating the myth of the construction of an architectural work that must have appeared extraordinary to the native population, until then at the mercy of precarious wooden footbridges to cross the stream. This legend tells of the time when St Martin, stranded on the Lys by a flood that swept away the footbridge, made a pact with the devil who promised him to build a solid stone bridge overnight, in exchange for the soul of whoever crossed it first. Once completed, the cunning St Martin tricked the devil by making a small dog walk on the bridge. Even today, the legend is re-enacted ending with the burning of the devil under the bridge for the historical carnival of Pont-Saint-Martin A museum dedicated to the Devil's Bridge A pleasant village has developed around Pont-Saint-Martin, dominated by the presence of the ruins of an 11th-century castle, known as the Castellaccio, and the neo-Gothic Baraing Manor (1883), now the headquarters of the Mountain Community. The bridge is dedicated to a small museum where you can learn more about construction techniques, materials, history, restoration and other curiosities related to its 2,000-year history.