You are in Home / Travel ideas / Art and History / The works by Caravaggio in Rome

The works by Caravaggio in Rome

The pieces created by Michelangelo Merisi known as Caravaggio will always leave an impression: realistic, dramatic and provocative, they reflect the myth of a proud and exuberant character. The scenes depicted are able to engage us in a direct manner, as if we were witnesses to events which seem to be taking place here and now.

During the course of his adventurous life, the artist lived in many places, but Rome is the city which holds the greatest number of his works - no less than 26 pieces - distributed among museums, churches and private collections.

On this itinerary, we offer a small guide to the discovery of several of the works of art by Caravaggio kept in the churches and in the museums of the Eternal City.

 

The realism in the sacred: Caravaggio in the Roman churches

 

The Calling of Saint Matthew, San Luigi dei Francesi church - Rome

The Calling of Saint Matthew, San Luigi dei Francesi church - Rome

Our tour begins in the San Luigi dei Francesi Church, a short distance from Piazza Navona. In the chapel at the end of the left nave, there are three pieces by Caravaggio, together they make up the Cycle of Saint Matthew. The paintings sum up the life of the apostle in three episodes: the Calling, The Inspiration of Saint Matthew, the Martyrdom of Saint Matthew. The scene of the Calling leads us in the half-light into a room populated by tax collectors intent on counting money, disrupted by a divine light; Jesus Christ, on the right, has just raised his arm to indicate the future saint and calls him to join the group of the apostles. The painting of Saint Matthew and the angel distinguishes itself for the direct and intense relationship between the Evangelist and the messenger sent by God who came down to inspire him in the writing of the Scripture. The depiction of the Martyrdom in the last painting of the cycle is violent and dramatic.

 Pilgrim’s Madonna or Madonna of Loreto, Church of Sant’Agostino - Rome

Pilgrim’s Madonna or Madonna of Loreto, Church of  Sant’Agostino - Rome

Slightly more than 200 metres separate San Luigi dei Francesi from the Church of Sant’Agostino, where we stop to admire the Pilgrim’s Madonna or the Madonna of Loreto, a piece considered scandalous by Caravaggio’s peers: Mary too humble and demure, leaning casually against a door jamb, legs crossed; too realistic the two poor pilgrims offering their bare, dirty feet close-up.

Crucifixion of Saint Peter, Santa Maria del Popolo Basilica - Rome

Crucifixion of Saint Peter, Santa Maria del Popolo Basilica - Rome

In Piazza Santa Maria del Popolo, in the church of the same name, it is possible to admire two other great masterpieces by the artist: the Conversion on the Way to Damascus and the Crucifixion of Saint Peter. In the latter piece, the men depicted while pulling up the cross seem more like busy labourers than executioners. Once more, the realism dominates the scene and renders a moving dramatic effect. Piazza di Santa Maria del Popolo, nella chiesa omonima, si possono ammirare altri due grandi capolavori dell'artista: la Conversione di San Paolo e la Crocifissione di San Pietro. In quest’ultima opera, gli uomini rappresentati mentre tirano su la croce sembrano più degli operai indaffarati che dei carnefici. Ancora una volta, il realismo domina la scena e restituisce un effetto drammatico commovente.

Caravaggio in the museums and galleries

 

Penitent Magdalene, Galleria Doria Pamphilj - Rome

Penitent Magdalene, Galleria Doria Pamphilj - Rome

Caravaggio often chose his muses among the prostitutes he frequented. Like Anna Bianchini, who posed for the Penitent Magdalene: her face looking down lined by a tear, several pieces of jewellery to her right thrown on the floor symbolising the renouncing of worldly vanity. To admire this painting we visit the Galleria Doria Pamphilj, which also holds two other works by Caravaggio: the Rest on the Flight into Egypt and the John the Baptisti, depicted as a young nude man embracing a ram.  An identical copy of the piece is kept in the Musei Capitolini, which also exhibits The Fortune Teller, a very famous piece copied by many Caravagesques.

David with the Head of Goliath, Galleria Borghese - Rome

David with the Head of Goliath, Galleria Borghese - Rome

But the highlight of our tour is without a doubt the Galleria Borghese, which boasts the broadest collection of Caravagesque works held in a single location: Boy with a Basket of Fruit, Sick Young Bacchus (possible self-portrait), Madonna with Child and Saint Anne, Saint Jerome Writing, John the Baptist and David with the Head of Goliath, where Caravaggio depicts himself in the decapitated giant. The face of David, in this painting, seems to express compassion towards the head of his dead enemy.

The Entombment of Christ, Pinacoteca Vaticana - Vatican City

The Entombment of Christ, Pinacoteca Vaticana - Vatican City

The Vatican Museums hold only a single piece but an extremely beautiful one: The Entombment of Christ. It is one of the few paintings by Caravaggio to have obtained unanimous approval by his peers, such as Giovanni Baglione and Giovan Pietro Bellori. Of all his paintings, this is certainly the most monumental.

Judith Beheading Holofernes, Galleria nazionale di arte antica (Palazzo Barberini location) - Rome

Judith Beheading Holofernes, Galleria nazionale di arte antica (Palazzo Barberini location) - Rome

Even more controversial were the reactions to Judith Beheading Holofernes, kept at Palazzo Barberini: the rawness of the scene caused horror in many people at the time.  The piece influenced many artists, like Artemisia Gentileschi and Francisco de Goya. Also found at Palazzo Barberini is the famous Narcissus contemplating his own reflection in the water.

Another John the Baptist by the artist (it is said he painted nine if we consider the two identical versions of the Galleria Doria Pamphilj and the Capitolini Museums) is found at Palazzo Corsini. The iconography of the subject is so unusual that the young man can be identified as the Baptist only thanks to the inclusion of several distinctive symbols, such as the rod and the camel skin.

 

Discover more at www.turismoroma.it